Canadians Bee 2015 - August Block Tutorial: Chevron Blocks - Herringbone style

Hey there. Been awhile. 

I was teaching. It was very busy. I did not have time for the web. Sewed but photos and writing about it took too long and by the end of the day, me no write words good. Me no good read blogs too.  To unwind, there was knitting and Netflix. There was Knitflix. 

I have missed almost a year of the internet. I'm sure many people won, that memes were hatched and hashtagged and things were amaze-balls and awesome sauce. I saw a little bit of it. Not much.  I'll try to go back and skim a bit to catch up but for the first time EVER after such a long hiatus, I'm not going to read everything. I usually do but I've been gone too long and feedly only goes back thirty days... 

I did miss you, though.

Anyhoo.... August is my month for the Canadians Bee and the Queen suggested that I get the tutorial/instructions up early. So, away we go!

This scarf is the inspiration for this month.

I would like Chevron Blocks - sewn herringbone-style.

We're looking way outside my colour comfort zone and focussing mostly on the reddish family of purples. Accents include yellow, orange, dark pink, red, teal-ish-turquoise-y blue and navy.   Try to pick really saturated fabrics, tone on tone or solids, and avoid any prints with significant traces of white, grey or black. Also, skip green entirely.  Where we're going, we don't need green....  The Kona colours I pulled for examples (not mandatory...) are cerise, persimmon, cheddar, caribbean, red plum, geranium, dark violet and poppy.  I give you the names because purples are notoriously difficult to photograph.

Each 6 1/2 x 12 1/2" half is quick if you do two at a time, but if you can only manage one, I completely understand! Please leave the halves unsewn, particularly if you make identical ones. I didn't use a pattern but here's how I made them:

You need a square of purple about 4 3/4" and several strips of your purple and accent colour between 1 1/4" and 2".  Press all seams open.

Step 1:  Slice your purple square on the diagonal to give you two triangles. The diagonal becomes the top of your block half.

Step 2: Take one strip and sew to the left short side of triangle. Press seams open and trim the end off. Use the remnant of same fabric strip to sew down the right short side.  Trim the end square.

Repeat Step 2 using a different fabric each time until the block measures just over the finished height (12 1/2").   Use the same process to fill in the corners.

Step 3: Centring the triangle along the top as best you can, trim the block half to 6 1/2 x 12 1/2".

Voila!

Tips:  I found it easiest to rough-trim my block half as I went, keeping it about 7" wide to leave some wiggle room and give me an idea of where to start the next strip. That way, I never wasted the strips by leaving them way too long, nor were they ever too short to meet the full width of the block half.

I also found it easier to "pre-cut" my strips before I sewed them so I wasn't dealing with dragging long strips all over the place.

Thanks - and happy sewing!
C

Finished: The One Less Traveled By

Whew! The Bloggers' Quilt Festival can take a lot out of you!  I think I saw them all.... And appreciated all the lovely comments back and forth.  I had a few that were no-reply which always makes me a little sad so if you didn't get a reply, that's the reason.

Anyhoo!  The Saskatoon Modern Quilt Guild had a UFO challenge.  "UFO" is always a challenge for me since I rarely have any.  I tend to stick to only a few projects at a time and frequently go full-steam-ahead until they're done.   I do have ONE long-term UFO but it's in storage and I haven't seen it in years. If it has survived the storage process, I will finish it likely as soon as it's freed.  Other than that, I don't think I have anything that has been waiting more than two years.

I did have a crap ton of HSTs rescued and salvaged from other projects (specifically ones for my sister). They've been trimmed up in little bunches of 1.5" squares at Wednesday guild gatherings for months and months.  I'm not saying people made fun of me, but more than one of my quilty friends questioned my sanity. :-)  The intent was always to make a trip around the world or something like it. So the time had come to do something with it. So I dug into the scraps and grabbed my Kona Silver yardage and went nuts.

It started with tiny but traditional,

then moved to tiny but a little more irregular,

to larger,

to very irregular....

like a set of paths not quite found by feet yet.

The quilting is.... uhm, not my best. I rushed a little in a push to meet the deadline (I have never not finished a SMQG challenge!)  I'm a little out of practice and always more convinced of my skills before I sit down to use them.  However, I more or less got the look I was going for: more tiny and structured in the wee blocks, loose and watery as it moves outward.  I'll try to remember to either leave time or to take more next project.

I added a couple of blue chunks to the binding, letting them fall wherever.  The back is unspectacular and with fading light and borrowed quilt holding help, I totally forgot to snap a picture of it.   It's most silver with a little piece of blue floral.

Approx: 68x78"
More than 650 - 1.5" HSTs salvaged and used up.  (I have about 6 left over...)  One GIANT ziploc bag no longer crowding my sewing space.  And I am content.

Curved Improv Log Cabin Tutorial

Hiya! Yeah, I know...  How've ya been? Me...? It's been busy and chaotic with a side of crazy monkey banana pants.  More on that some other time. I'm going to ease back into the the interwebs slowly.... with a tutorial.

I'm a very happy member of Canadians Bee - a group that formed after the first round of Simply Solids.  These ladies are intensely talented and totally amazing. In fact, I'm lucky enough to be in the Saskatoon Modern Quilt Guild with 3 of them!  It was those three that I ran this block idea by and they all said they were game to try it so that's what I'm going with.

This tutorial is the basic technique and I'll add specifics for the bee in the flickr thread.

This is a very flexible technique and can be used as you wish.   For a traditional(ish) log cabin, alternate light and dark fabrics.

Here we go!

CURVED IMPROV LOG CABINS

You might need these supplies in addition to your regular sewing gear:

5 or more various fabrics in your chosen colour palette:  This technique can use jelly roll strips easily enough but  you can use wider. You can also use scraps.  I started with a 3" square in the middle and some of my outer strips were roughly 3" but it's not exact, nor does it need to be.  You can go smaller or bigger.  Add more rounds as you please.  I made two different blocks in my examples.  I used yellow for both centers (A), then in one B&D were dark colours, C&E light.  The other block had B&D light colours with C&E dark. 

Rotary cutter: This would be a tedious process with scissors.

Starch:  This is handy for sewing curves.  If you give your fabrics a light starch before you cut the curves, I find they cut cleaner, sew smoother and lie flatter.  I forgot to starch my fabrics at first and had a little wrinkling - which will all go away once I quilt the sucker but once I remembered to starch, everything went a lot smoother.

A curved edge:  I used the Quick Curve Ruler and the old "no-ruler-eyeball-it-freehand" method for cutting the curves but you can also use a pie plate, an oval casserole dish, , a french curve, an old charger from your Christmas table settings that you've since decided you hate....or nothing.  It doesn't have to be a perfect circle or oval - it just needs to have a curved side you can put against your rotary cutter.  It doesn't even need measurements!  But it's easier to use if you can see through it.

1/4" foot:  I find it tons easier to piece curves without using pins by using my 1/4" foot.  We'll get to that later...

TECHNIQUE:

1) Choose a fabric for your center.  For ease of instructions, we'll call it Fabric A.  I used a 3" square here but you can also use a rectangle.  Measurements aren't important here - since you'll be cutting away the edges, having perfectly straight cuts to start with isn't necessary.

Take a strip of your next fabric (B)  - I used a roughly 2.5"strip - and layer your center piece over it just a little - right sides up.

You can trim the needed bit off the strip so you're working with smaller pieces. There should be a slight overlap.

Place your curved edge (or use your fabulous sense of freeform adventure!) on the overlap.  The only thing to be aware of here is that the curve should start where the two fabrics meet at the edge on the bottom and end where they meet at the top.  At all times, the curve should pass through BOTH fabrics.  This way, you make a matching pair of curves.

Fabric A curves out and Fabric B has a nice dent for A to fit into.  Remove the excess fabric so you're just looking at out-curved A and in-curved B.  Place them right sides together, matching at the top of the curve.

2) Using your 1/4" foot, place your RST curves underneath your presser foot and take a few stitches.    I like to put the out-curve on the bottom and the in-curve on the top. Then holding your fabrics apart as you sew, guide the bottom piece with your right hand and the top piece with your left hand, bringing them together using the 1/4" fence as a guide.

Try not to pull or stretch as you sew.   There are a couple of videos on sewing curves without pins out there if you need to see it.  This one is great!

3) Press to the side of least resistance - in or out, depending on your fabric.  There isn't a bulk issue here so direction isn't important. The seams lay fairly flat if you use the no-pins method.

4) Lay down another strip of B.

Layer your A/B center unit onto the B strip, keeping the B part of the A/B centre at the bottom.  In order to keep the traditional log cabin look coming through in this modern version, always orient the center piece so that the strip you just sewed is in the same position.  Always on the top  OR always on the bottom.  You choose - just keep it consistent for each pod/block.

Make your curved cut same as you did in Step 1.   You can play around with angling your center so that the width of the strips changes from piece to piece. It can be wider or narrower, sharper or softer curves, whatever appeals to you.  The idea is that this will take on its own shape and not be uniform. Each little cabin will be unique.

5) Sew your curves same as in Step 2.

6) Repeat the steps using Fabric C, then again with each D and E. And beyond if desired!

When it's the size you want, use your curved edge to curve up the sides.

You now have a log cabin pod!

Coming next month, once I start getting bee blocks in the mail, I'll do another tutorial on how to frame them out into full blocks.  Hint:  It's very similar to what we've just done here but with larger chunks of fabric and squared outside edges. :-)

Let me know if you have questions or if you try this technique out!  I will get back to you as soon as I can (which is right after I catch up on a great deal of back emails and blog reading!)  Please make sure you're not a no-reply blogger or I can only answer questions in the comment thread.

Thanks for reading - hope you enjoy it!

Finished: Flowers Over Falls - Simply Solids Bee Quilt

Yeah, I fell off the face of the earth again.  It's been a slice.  I'll spare you the details.

I have a few things I've been meaning to share and I'll get to them.  I truly want to catch up on all the things I've missed - and I have missed you all and your projects and your wit and your insights.  I have just been incredibly unplugged this summer, and I think that's a good thing. Back to teaching on Tuesday so I imagine my routines will start coming back slowly but surely. (And I owe more than a few emails....)

I HAVE managed to finish my Simply Solids Bee quilt.  June was my month and while one bee member dropped out, an awesome block friend from UK (Hi, Susan!) offered to make one for me.  SO cool!!

One must always have a tall person in the family - thanks, bro!

My concept for this quilt was the idea of flowers and twigs heading over a waterfall.  Each of my bee mates got two shades of blue, two squares of orange, a strip of tan (all Kona) and instructions to improv-piece an abstract block that measured 12.5 x 16.5". (See my post here for more details...)

And they did a beautiful job!!  I made the sashing strips and borders ( also improvised) from the scraps they sent back and spare yardage.

Then I sewed the top together - but in keeping with the improv/modern/abstract idea, I didn't use a traditional layout.  The layout actually looks like this:

All together, there are 7 blues (sky, aqua, baby blue, bahama blue, peacock, turquoise and teal), two oranges (mango and flame) and two neutrals (white and stone). There are only a few scraps of white. I tossed them in with the sky blue so that the sky blue looked blue and not white!

There was one block that I absolutely loved but try as I might, I couldn't make it work with the rest of the improv blocks.  It broke my heart until I figured I could showcase it on the back and actually build the back to echo that block.  The entire back is a reflection of that block and uses up all the leftover yardage.

It's quilted with watery lines in three shades of blue thread.

I matched the binding to the gradient I'd created with the blocks so that the quilt appears borderless.  And I'm really happy with how it turned out. To make it work, I used Flourishing Palms' french-style binding method with great success. (Thanks, Linda!)

This might be one of my favourite quilts of all time!  I'm chuffed to bits with how it turned out and I have my very talented bee mates to thank for it (though some of them wanted to kill me... Oops. :-).

Faux art-shot....  Does it look like water over rocks? hahahaha.

Flowers Over Falls is about 68x80" and contains the handiwork of the Aeneous Group of the Simply Solids Modern Bee and Susan of Canadian Abroad.

Thanks so much, you talented bunch, you!!  I'm glad I managed to get it finished for an upcoming show in October AND before my birthday today/yesterday (30th).

This is me at 35. And 35 feels lovely.

Opportunity to Help: Slabs for Calgary

Hi all!

I'm headed south for the day - spending time with family.  Some of whom are moving to Calgary.

Speaking of Calgary....

If you live in Canada, you'll no doubt have seen the devastation in Alberta on the news. (Or in person - our prayers are with you!)

The Saskatoon Modern Quilt Guild is throwing their support behind Just One Slab - Quilts Recover - Southern Alberta. We're making slab blocks!

It's a fantastic way to use up some pesky scraps and do some good will sewing.

To learn more, (especially if you're in Saskatoon):  Check out our post on Saskatoon Modern Quilt Guild

OR

Cheryl's Just One Slab post at Dining Room Empire.

Have a safe (and dry!!) Canada Day long weekend!

Every block - made with love!

Finished: Pod Bay Cabin Doors

Okay, so two months ago, our guild issued a "make it modern" challenge: Take a traditional block and put a modern spin on it.

Due date was this past Sunday.  As of Friday at midnight, I had bupkis. Blargh!!! (I almost sent a strongly worded email to the demon-seed whose cockamamie idea this was before I remembered it was me and Jaclyn. Oops!)  I had been tossed around the idea of a snail's trail, only curved, and no amount of sketching or logic could make that happen for me.  But I do love me a log cabin so Saturday morning, I started to play.

So I cut out some rounded squares using the Quick Curve ruler, and then went to town, log cabin style, demolishing some leftover charm squares.  I tried for a little while (okay, just twice) to do evenly measured, precise curves but ultimately just improv'd them using the ruler as a guide, not centring or measuring.  It was more fun that way.

And then I had pods.  Oooo-oooh!  What to do with those?  Join them together or isolate them?**

One lightning fast trip to the quilt shop for a yard of shot cotton later (seriously, I didn't even put on makeup...), and I was back to the machine, trimming out the blocks.

Hmmm. Nope, not done yet. Not modern enough.

There.

Back, baste, echo, bind.  One finished wall-hanging. Finished in time for the challenge deadline.

About 24" square.  Or two feet. Heehee.

I love it when a not-a-plan comes together!  I had a "yeah, I'm awesome" moment before I scorched a piece of fabric and remembered I'm human. :-)  I'm really happy with how it turned out - totally surprised myself and may be permanently over my fear of curves.  Also, starch is the bomb.

So, if you get lost on your way to a project, change where it is you want to go. :-)


**The name of the piece occurred to me at this moment which also made me isolate them instead of joining. I heard my nerd voice say, "Open the pod bay doors, HAL." Of course, Dave... Hey, I've never claimed to be normal. :-)